Rope- and net-making machinery conservation for Bridport Museum's re-development project.

The cleaning and conversion to electricity of an acetylene chandelier from a private house on Anglesey.

A 3-year contract to conserve and maintain historic guns and cannons under the care of English Heritage.

Restoration, to working order, of 24 original 1860s ground floor window wooden roller shutters at Brodsworth Hall, South Yorkshire, for English Heritage.

Conservation of sundial dated 1578; archive research in College Library; condition assessment of surface and substrate; analysis of pigments, gilding and stratigraphy and alterations by polarised light microscopy (PLM), FTIR, GCMS. Porosity testing of weathered and stable surfaces for comparison. Nano-lime consolidation and grouting to blisters/delamination to ground layers, stone and polychrome. Gilding and distressing; re-touching.

Preparation of 'Jeunesse' by Herman Richir (1866-1942), from the collection of the McManus Galleries, Dundee, for international loan

On-site treatment of the panel painting ‘The Mystic Marriage of St. Catherine with St. Apollonia, St. Joseph & St. John the Evangelist’ att. to Francesco Brini (active 1540-1586) at National Trust for Scotland property Falkland Palace.

Conservation, restoration and preventive conservation of more than 25 contemporary sculptures and features including works in bronze, wood and polychrome finishes.

A perilously split painted silk banner had been repaired with lengths and lengths of self-adhesive tape on both sides. The repairs had failed and stained the banner. The adhesive residue was removed, and the banner was stabilised. It was mounted for display and safe handling in a newly refurbished museum.

Full treatment of a 6 panel, double-sided canvas standing screen by the Chilean artist Cecilia Vicuña, in consultation with the artist, her gallerist and Tate curators for display at Tate Modern, London. The artist had been in exile from Chile for many years and the screen hidden away. It was suffering from being in poor storage conditions and was dirty with several large tears. Cecilia Vicuña Biombo Casita Para Pensar Qué Situación Real Me Conviene 1971 Oil on canvas on wooden stretchers, in 12 parts 12 panels, 155 x 55 cm (each), 155 x 659.99 cm (overall)