This bowl was found by a metal detectorist at a site in Kelshall, Hertfordshire. Despite being in very poor condition, with extreme thinning, deformation, fracturing, corrosion and loss of the metal due to the burial environment, treatment did improve stability, as well as make the remarkable incised decoration on the interior more visible.

Cleaning, partial re-leading and installation of Environmental Protective Glazing (EPG) to mid 19th windows by Thomas Willament. Cleaning and installation of EPG to a collection of Flemish and German panels from 16th C in the east window.

We carried out repairs using epoxy resin to a significant area of damage to the east window, one of a series of windows in the church by the Belgian atelier of JB Capronnier.

We were commissioned by the family of the former Bishop of Bath and Wells, John Bickersteth, to engrave a memorial panel and install it as part of the cloister glazing.

High end conservation work for London based dealer in European medieval art.

Removal of the Arts & Crafts influenced WWI memorial window designed by Robert Anning-Bell and made at Lowdnes and Drury. Partial re-leading of bowed sections and coordination with stone mason Reuben Marsh who was commissioned to replace the entire Polyphant stone tracery.

Conservation works to the stained glass in the lady chapel of Gloucester Cathedral as part of 'Project Pilgrim'. Cleaning of medieval stained glass and replacement of bars to the Lady Chapel east window. Replacement of bars and partial re-leading to Christopher Whall stained glass. Provision of new casements.

This onyx (calcium carbonate) figure was one of two that came into the workshop, with issues ranging from chips, breaks and losses to general dirt and aged adhesives from previous repairs. The challenge here was restoring a missing ear and several small chips, and replicating the translucency, tone and sheen of the repair fills.

This project involved the conservation and replacement of broken and missing stone elements from a Royal Coat of Arms, restoring it to its original appearance. This required limited paint research to identify whether any early or original paint schemes existed, and the creation of a new unicorn horn.

This project involved the repair of two Qing Dynasty Chinese ceramic vessels that had broken into multiple pieces as a result of a high-profile 'smash-and-grab' theft within the West Norway Museum of Decorative Art, Bergen.