Elizabeth Fagg-Shuttlewood ACR ACR
Projects
About Me
I manage Archaic Treasures Conservation Studio which provides conservation and restoration treatments to museums, libraries, archives, rare book sellers and private clients.
Over 29 years of experience and continued professional development
The studio offers a wide range of treatments to paper, vellum and parchment:
- Books,
- Maps,
- Prints,
- Water-colours,
- Drawings,
- Photographs,
- Archival material,
- Manuscripts,
- Scrap books and ephemera,
- Boxes (repaired and made bespoke for object storage)
- 3D paper construction
- Complex, over-sized and rolled items.
Treatments: The treatments I offer aim to restore appearance, mechanical function and supporting greater opportunities for safe use:
- Collection surveying, condition reporting, and documenting
- Storage and environment,
- Surface cleaning,
- Washing & de-acidification
- Stain removal-wide range of treatments offered
- Sticky tape reduction/removal,
- Consolidation of flaky medium/ surface
- Mould removal
- Tear repair and infilling,
- Binding repair; board and spine re-attachment.
- Full re-sewing and rebinds. (Every endeavor is made to retain original covers if possible)
- Gold tooling
Retaining original materials and any historical, cultural and religious evidence is always at the forefront of any treatments proposed.
Disaster recovery: I am experienced in managing disaster recovery of water damaged libraries. From initial damage assessment through to full restoration/conservation treatment to severely damaged, wet and mouldy books.
Project management: I have project managing many large conservation projects while working to tight deadlines, including managing a project where I consolidated 200 water-colours; the conservation of a collection of early manuscripts; the conservation of a collection of 40 flaking Acrylic paintings. I also project managed The Wellcome Collection project to digitise 1209 oil paintings including condition assessing, minor intervention treatment, handling training and designing bespoke transport.
Read an article about my work: You can read about one of my projects through my article published in the Book and Paper Gathering (2021). Titled ‘A Gargantuan Challenge’. Follow the link below, or copy it into your browser.
https://thebookandpapergathering.org/2021/03/25/a-gargantuan-challenge-washing-and-buffering-enormous-pages-on-a-shoestring/
My clients include: The London Metropolitan Archives, The Wellcome Trust, Leeds Castle, Chatham Historical Dockyard Trust, Sittingbourne and Kemsley light Railway, Francis Iles gallery, Chatham Historical Dockyard Society, The Fleur De Lis Heritage Centre, The Faversham Society, plus many private clients and sellers of rare books.
Client Testimonials
As a result of a water leak, about 100 volumes of old books in my family collection (the majority 17th and 18 h century) were water damaged. Worse, mould set in furiously and many of the books became heavily infested and incrusted in the worst cases.
I found Archaic Treasures by chance and it was a lucky chance. Liz Fagg-Shuttlewood took in my precious books and treated them as her own. She froze them, stabilized the situation and over the course of the next year repaired them all. It was a horrendous task involving soaking and treating thousands and thousands of pages individually. She also repaired and restored much of the leather covers and bindings. In short she worked miracles. I would recommend her to anyone!”
Mr Norman
Private library custodian‘Liz’s strengths lie in her long experience of conservation practice: this is evident in her methodical and measured treatment approach, with excellent pitch to accommodate client needs and the requirements of clients and stakeholders. She is clearly operating in a comfortable sphere of conservation practice that comes from experience but is not at all afraid to accept challenges in terms of complexity or format. She seeks solutions by investigation, innovation and ingenuity, referring to colleagues and reference sources extensively to inform her decision making. A natural communicator, Liz’s engaging and approachable manner is wonderful and must make colleagues and clients alike feel comfortable and trusting of her skills, abilities and integrity. Liz is everything a conservator should be: meticulous, methodical and object-focused; this combined with an approachable and accommodating positive attitude make her a proficient and able practitioner in the book and paper sector’
Victoria Stevens ACR & Marianne Davy Bell ACR
ConservatorLiz is a very supportive member of the team and I receive glowing feedback from all levels on the success of the project being her can-do attitude. She owns her projects & makes empirical decisions.
Emma Duggan
Conservation manager Wellcome CollectionLiz’s tenacity was exactly needed for this project! While writing a new Collection Emergency Plan we defined that time would be of the essence and if protective measures could be made in advance they could be fitted easily and timely, allowing us to move onto the next item.
Emma Duggan
Conservation manager Wellcome CollectionA note of praise, on the conservation of your work for me. The Hogarth has been wonderfully returned to being a functioning book. Your lifting of the stains from the “courtship and Matrimony” series was more than I hoped. What I most admire though is you approach. Being able to scale the needs of very different clients, whilst absolutely maintain the ethics of the profession, is not a widely- held ability.
Marble Hill house
Museum ManagerOur 12 volumes of Hasted’s History of Kent, which were in dire condition, have been restored to a pristine state by Elizabeth Fagg-Shuttlewood.
The Faversham Society
Archive and MuseumWe certainly are impressed, we had never thought that the plans could look so good. The quality of the conservation work is excellent. We will defiantly recommend you to others.
Liz Fuller
Chairman of the Sittingbourne and Kemsley Light RailwayThe books that required binding are of considerable age and where in a very sorry state. The work done returned them to the attractive original style of binding of that ere. This has not only improved their appearance, but has conserved them for research and examination by future generations. The cost is very reasonable and was the winner in competition with other similar companies. In all ways an excellent job.
Chatham Dockyard Historical Society
Society stewardsTraining
B. A Hons Book and Paper Conservation. At Camberwell College of Arts
Bookbinding. At London College of printing.
Work History
Conservator ( book and Paper). The Wellcome Institute, London
Conservation Officer. Public Records Office, Kew
Manager of Archaic Treasures conservation studio
Conservator freelance. The Victoria and Albert Museum, London.